Excerpt from "Louisiana Catch" by Sweta Srivastava Vikram

Excerpt from "Louisiana Catch" by Sweta Srivastava Vikram

As Ahana matures from a victim of domestic sexual abuse into a global feminist leader, she must confront her issues: both with the men in her life and, ultimately, with her own instincts. Whom can she rely on to have her best interests at heart

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Guest Post: Sally Deskins On Body Prints, Feminism & Underrepresented Artists

Guest Post: Sally Deskins On Body Prints, Feminism & Underrepresented Artists

The multi-cycles presented me with a reflective new series of work to honor these artists, while also recognizing the cycle of erasure, all the while attempting to remember their contributions. So with my latest series, Mother Artists (Tributes), I created body prints evoking a camouflage color theme including leaf prints, which could reflect several people silenced or lost to history—in art and beyond. Onto the prints, I script quotes from feminist and women artists from past and present about their work, intent or gender issues. I script the quote several times over and over in attempt to remember their names and contributions, to paint over and/or erase it when I’m finished. What is left is an erased effect, with some of the words and their names legible, but not quite. Though the titles hold onto the artist names, most of the text is lost in the image, reminiscent of the cycle of erasure not only potentially for the artist, but for my attempt to recognize them with my art.

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